KRIS DAVIS at the Stone (Jan. 28-Feb. 1, 8:30 p.m.). Last year was the moment Davis finally broke through, claiming her rightful place as the pianist of the moment in jazz — particularly thanks to the release of “Diatom Ribbons,” her latest album. It was a creative breakthrough but also a doubling down, throwing her particle-based, detail-oriented style of avant-garde improvising into conversation with a wildly diverse group of collaborators. Some of them will perform with her at the Stone in the coming week (including the saxophonist Tony Malaby on Tuesday and the drummer Ches Smith on Wednesday), when she will appear with a different configuration each night.
DIZZY GILLESPIE ALL-STARS at the Blue Note (through Jan. 26, 8 and 10:30 p.m.). In the past week the jazz world has suffered two great losses with the deaths of the saxophonist and composer Jimmy Heath, 93, and the trumpeter Claudio Roditi, 73, both leaders in their field. Though decades apart, each of them owed much of their success to the mentorship of Dizzy Gillespie, and played in big bands that he led. After that storied trumpeter died, Roditi and Heath did stints with the Dizzy Gillespie All-Star band, composed of Gillespie’s former mentees and collaborators. This week’s run by the All-Stars — appearing here as an octet with a three-trumpet front line featuring Terell Stafford, Freddie Hendrix and Jeremy Pelt — is sure to feature a number of tributes to the recently departed members of the musical family.
STEFON HARRIS AND BLACKOUT at the Schomburg Center for Research in Black Culture (Jan. 27, 7 p.m.). With Blackout, Harris, a virtuoso vibraphonist and marimba player, has long been proposing a kind of fusion that links contemporary jazz with R&B and hip-hop — often by way of the Caribbean, subtly. At this free performance, presented at the Schomburg by Carnegie Hall Citywide, the group will likely draw from their strong 2018 album, “Sonic Creed,” which marked their return from a nine-year hiatus. Blackout features Casey Benjamin on saxophone and vocoder, Marc Cary on piano and keyboards, Luques Curtis on bass and Terreon Gully on drums.
VIJAY IYER at Jazz Standard (Jan. 29-Feb. 1, 7:30 and 9:30 p.m.). Over the past dozen years or so, Iyer has established himself as one of jazz’s top pianists, composers and thought leaders. He not only plays in and writes for a rich array of ensembles, he is a faculty member at Harvard and a connective thinker who collaborates fruitfully with artists across media. But at the center of it all is his lulling, reflective piano style, which is as easy to love as it is imposing and conceptually advanced. That will be on unfettered display on Wednesday, when he performs solo; from Jan. 30 to Feb. 1, he will be introducing a new trio, featuring Linda May Han Oh on bass and Tyshawn Sorey on drums.
JOE LOVANO AND DAVE DOUGLAS SOUND PRINTS at the Village Vanguard (through Jan. 26, 8:30 and 10:30 p.m.). Two leading voices in jazz since the 1980s, the trumpeter Douglas and the saxophonist Lovano teamed up close to 10 years ago to establish this quintet, a fertile playground for their wily post-bop compositions. The group features Lawrence Fields on piano, Linda May Han Oh on bass and Joey Baron on drums.
BECCA STEVENS at the Jazz Gallery (Jan. 24-25, 7:30 and 9:30 p.m.). In celebration of its 25th anniversary, the Jazz Gallery — which has always been an advocacy organization for New York’s young creative improvisers as much it’s simply been a jazz club — is inviting many musicians to revisit some of the works they have composed with commissions by the Gallery. This weekend, Stevens — a vocalist with a strong, dusty voice and an affinity for all sorts of jazz, folk and indie rock — will perform music from her 2017 release, “Regina,” which began with an award from the Gallery.